37 artworks found
Two figures, one of them an infant, in almost every possible arrangement. The Madonna and Child is the most repeated composition in Western art, which is exactly why the small variations between one and the next carry so much.

A Mother and Child Looking at the Virgin and Child by Reginald Bottomley - Framed Canvas
By: Reginald Bottomley

Madonna and Child with St Petronius and St John the Evangelist by Domenichino - Framed Canvas
By: Domenichino

Madonna and Child with St Justus of Volterra and St Margaret of Antioch by Bastiano Mainardi - Framed Canvas
By: Bastiano Mainardi

Madonna and Child by Giampietrino - Framed Canvas
By: Giampietrino

Madonna col Bambino tra S. Geremia e Maria Maddalena by Cima da Conegliano - Framed Canvas
By: Cima da Conegliano

Nursing Madonna by Bartolomeo Vivarini - Framed Canvas
By: Bartolomeo Vivarini

Madonna col Bambino tra i santi Giovanni evangelista e Nicola di Bari by Cima da Conegliano - Framed Canvas
By: Cima da Conegliano

Madonna and Child by Giovanni Bellini - Framed Canvas
By: Giovanni Bellini

Madonna of the Basket by Antonio da Correggio - Framed Canvas
By: Antonio da Correggio

Madonna of the Catholic Kings by Fernando Gallego - Framed Canvas
By: Fernando Gallego

Madonna and Child by Pietro Lorenzetti - Framed Canvas
By: Pietro Lorenzetti

Madonna and Child with Saint Roch and Saint Sebastian by Lorenzo Lotto - Framed Canvas
By: Lorenzo Lotto

Madonna with the Child and Two Angels by Filippo Lippi - Framed Canvas
By: Filippo Lippi

Madonna and Child with Saints by Cima da Conegliano - Framed Canvas
By: Cima da Conegliano

Maestà by Duccio di Buoninsegna - Framed Canvas
By: Duccio di Buoninsegna

Madonna and Child with St Dorothy by David Teniers the Younger - Framed Canvas
By: David Teniers the Younger

Sacred Conversation by Cima da Conegliano - Framed Canvas
By: Cima da Conegliano

Madonna and Child with Saint John the Baptist by Eustache Le Sueur - Framed Canvas
By: Eustache Le Sueur

Madonna of the Rose Garden by Bernardino Luini - Framed Canvas
By: Bernardino Luini

Madonna and Child with Saint Catherine and Saint Mary Magdalene by Giovanni Bellini - Matte Canvas
By: Giovanni Bellini

The Holy Family with the Infant Saint John the Baptist (Madonna Stroganoff) by Agnolo Bronzino - Framed Canvas
By: Agnolo Bronzino

The Child's Bath by Mary Cassatt - Framed Canvas
By: Mary Cassatt

The Madonna and Child with Saints James the Greater, Jerome, the Infant Baptist and Catherine of Alexandria by Bonifazio Veronese - Matte Canvas
By: Bonifazio Veronese

The Madonna and Child with Saints John the Baptist, Elizabeth and Catherine of Alexandria by Bonifazio Veronese - Framed Canvas
By: Bonifazio Veronese

The Virgin and Child Enthroned among Angels and Saints by Benozzo Gozzoli - Framed Canvas
By: Benozzo Gozzoli

The Virgin and Child with Saint Anne and Saint John the Baptist by Leonardo da Vinci - Framed Canvas
By: Leonardo da Vinci

The Virgin and Child with Saint John by Antonio Solario - Framed Canvas
By: Antonio Solario

The Virgin and Child with Saint John by Filippino Lippi - Framed Canvas
By: Filippino Lippi

Virgin and Child by Ugolino di Nerio - Framed Canvas
By: Ugolino di Nerio

Virgin and Child with Angels and Saints by Felice Torelli - Matte Canvas
By: Felice Torelli

Virgin and Child with Two Angels by Cimabue - Framed Canvas
By: Cimabue

Virgin & Child Embracing by Giovanni Battista Salvi da Sassoferrato - Framed Canvas
By: Giovanni Battista Salvi da Sassoferrato

Virgin Mary and Child Jesus by Roberto Ferruzzi - Framed Canvas
By: Roberto Ferruzzi

Madonna and Child with Saint Anne (Dei Palafrenieri) by Caravaggio - Framed Canvas
By: Caravaggio

Madonna of the Pear by Giovanni Bellini - Framed Canvas
By: Giovanni Bellini

The Virgin and Child with Saint Anne by Leonardo da Vinci - Framed Canvas
By: Leonardo da Vinci

The Virgin and Child by Giovanni Bellini - Framed Canvas
By: Giovanni Bellini
The fixed problem is the child. Early versions hardly attempt an infant — the Christ of a Byzantine panel is a miniature adult, upright and blessing, because he is being shown as God rather than as a baby. Italian painters spent the thirteenth and fourteenth centuries gradually conceding the point: a hand reaching for the mother's face, a foot crossing over the other, weight settling into an arm.
Watch the hands, which is where painters put the meaning. A child grasping his mother's veil is affection. A child holding a goldfinch — a bird associated with the Passion — is a prophecy, and the mother's expression usually acknowledges it. A child asleep is not resting; the pose quotes the Pietà, and every contemporary viewer would have read it.
The setting tells you the century. Gold ground means the figures stand outside time. A landscape behind them, opening through a window, means the Renaissance has arrived and the Incarnation is being placed in a world with weather in it. A dark, close interior with a single raking light means the Baroque, and that you are meant to feel you have come upon them unannounced.